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Bex Hall > Memoir in Objects > The covered bridge

The covered bridge

May 18, 2022

Switzer Bridge art print by Sid Webb

I have a signed, limited edition art print of Switzer Bridge surrounded by trees in autumn glory. It’s a covered bridge no longer used by vehicles but open to foot traffic near Stamping Ground, KY. I purchased the piece at a nearby bookshop the same day my then boyfriend, who’s from that tiny town, took me there to show me a small piece of where he had spent his youth. It’s also where he professed his love.

The artwork is a keepsake from our beginning. We had no way of knowing a dozen years later we would face a devastating illness.

I’ve read about some reasons they built covers on bridges: provide shelter for travelers, strengthen the entire structure, and prolong life.

We had no way of knowing my husband’s love would be just like a cover for a bridge during one of the hardest times in our 22 years of marriage.

For some years, I carelessly kept the framed print on a shelf that met the afternoon sunlight and its rich colors faded into a worn and comfortable patina.

You don’t go through these kinds of things and remain unchanged.


This is the 47th story in the Objects as Waypoints Writing Project series.

Filed Under: Memoir in Objects Tagged With: the 100 day project 2022, the objects

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About Bex

 

Bex Hall

Her writing has appeared in various online and print publications, most recently in Kerning, a literary magazine, and in the Stories of Hope Collection in Transplant Living. Her artwork has appeared and sold through the Grayson Gallery. She blogs here about creative life and creates in Studio BE overlooking the Ohio River. Her work in progress is a memoir about the secret life of objects.

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  • The 100 Day Project

    50 short stories in 100 days.

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  • Creative practice goals:

    Show up every day behind the pen, the brush, or the lens and share my work.

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